Bear-Sark Ramblings

fans4wga:

Message from SAG-AFTRA about interim agreements (“waivers”)

There’s been some confusion over whether or not projects with SAG-AFTRA “waivers” (better called interim agreements) are helpful to the strike’s cause or not. Read SAG-AFTRA’s message below:

“Some have suggested that the Interim Agreement might prolong the strike, but we disagree. We believe the leverage created by increasing competitive pressure on the AMPTP and denying them what they want most will force them back to the table and help bring this strike to an end.

The Interim Agreement gives many of our journeyman performers and crews the opportunity to pay their rent and feed their families. This approach maintains our strength, solidarity and upper hand with the AMPTP until they yield to the deal we deserve. The Interim Agreement is not a waiver. To be clear, it is a contract that includes all terms and conditions for producers looking to employ our members on their specific independent productions.

The union thoroughly vets and approves each and every project seeking an Interim Agreement. Regardless of the size of the budget or the renown of the cast, these projects have been confirmed to be separate from the AMPTP and entirely independent, except for in extraordinary circumstances mandated by legal considerations, such as Tehran. It is important to note that the terms of the Interim Agreement have been designed by our Negotiating Committee and the Contracts Department to reflect the terms we are bargaining for in negotiations. The independent producers must agree to all of the terms, without exception, including the very proposals that the AMPTP rejected.

This Interim Agreement was created for several reasons, all of which are aimed at protecting the interests of our members, helping them successfully navigate the strike and demonstrating to the AMPTP that other producers are eager to work with our members under these terms.

  • The Interim Agreement ensures that our members are able to work for these non-struck companies.
  • Working with these independent producers proves that the wage increases and other terms, which the AMPTP has so far rejected, are in fact reasonable and appropriate. 
  • If and when an Interim Agreement project is distributed during the strike, the members will receive the full benefit of the improved terms of our agreement.
  • Prior to a ratified deal with the AMPTP stemming from our negotiations, the agreement will demonstrate that our proposed residuals formulas, including the streaming revenue-sharing, are economically viable within our industry. 
  • After a ratified deal with the AMPTP, the Interim Agreement will conform to our final terms, terms which will fairly compensate and protect our members.
  • The Interim Agreement encourages production budgets to be directed to union-covered projects employing union members rather than fueling a pipeline of non-union foreign productions.

The Interim Agreement is a vital part of our strategic approach to these negotiations and to the strike. If the AMPTP continues to refuse to bargain, our strategy denies them the ability to freely make their own original productions, allowing everyone other than the AMPTP to produce content with our members. We urge independent producers to apply and encourage SAG-AFTRA members to work on the projects that obtain an Interim Agreement, along with all of the other permissible work we support.

We will continue to work hard to negotiate fair compensation and safe working conditions for our members, and we thank you for your continued support through the strike.”

It also means that the AMPTP can’t draw out the strikes until the smaller independent studios begin to go under.

dduane:

vaspider:

I just need everyone to know that in a draft I just turned in, I referred to Ea-Nasir as the “Ur-Example of shady businessmen,” and I have never been prouder of a pun in my entire life.

Bravo. 😄

dovewithscales:

dovewithscales:

vaspider:

Damn he’s got a great voice. Including the original comic panel below:

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[ID: Single panel from an X-Men comic, featuring two younger people listening to the above monologue.]

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Very much so. The early comics were written during the height of the Civil Rights Movement by people who had grown up during and right after WWII.

garrettauthor:

why-i-love-comics:

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Extreme Venomverse #4 - “Sparkle and Shine” (2023)

written by Alyssa Wong
art by Ken Niimura

I’m a professional writer so I can tell you there are not enough words in the English language to tell you via much I love this.

finnglas:

dansnotavampire:

yank poll incoming

The word Yank (when referring to a person) means…

A person from anywhere in the USA

A person from anywhere in North America

A person from specifically New York

A person from a specific place in the US that isn’t New York

Something else!

Bonus points if you reblog and tag where you’re from and your answer. thank you kisskiss

Something else!

If I hear “Yank” I assume it’s someone outside the US referring to USians in general. Probably British or Australian adjacent.

HOWEVER. “Yankee” is used inside the US (especially in the Southeast) to refer to those assholes from New England. Specifically assholes, lol. I’ve met some New Englanders who are fine, but those damn Yankees.

Or the ball team. Which. You know. Have heavy overlap, lol.

overworkedblorbobattle:

Overworked Blorbo Battle Round 1 Poll: 22

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Vote For Your Favourite Overworked Blorbo!

Hunter- The Owl House

Ponder Stibbons- Discworld

owls-in-oaks:

jackironsides:

existence-is-boring:

Okay fellow Discworld fans

Answer me this:

Who would win in a fight: The Luggage or the Nac Mac Feegles?


who would win?

The Luggage

The Nac Mac Feegles

I feel like others would lose. The Luggage might eat an entire formation of Nac Mac Feegles, but later in the book the Luggage would open its lid and you’d find out that the Nac Mac Feegles had organised and regrouped inside, and now the Luggage has let them out to rain devastation on whatever it decided needed it.

I agree, this is very clearly a trick question, the answer is “unholy chaos alliance, tremble world!” The Luggage and the Feegles have basically the same philosophy about life, which is “kick it to death if it annoys you”, they would need .00001 of a second to realise they can do more kicking in concert.

Do you remember Horace? If the Luggage meets the Feegles what you get is a blue-painted sapient pearwood travelling chest with hundreds of little legs, a strip of tartan around the bottom edge, and a propensity for sudden extreme and gratuitous violence.

The only thing that’s going to slow it down is figuring out how to give you a faceful of heid when it doesn’t have one. FEEGLES WHA HAE!

lil-tumbles:

babydollbucky:

thegreynightsky:

diaryofakanemem:

Have you ever seen a violinist going APESHIT?!

Be sure to check out IAmDSharp!

GO OFFF

Ok so I’ve been playing for 18 years and i’m a string teacher. Can i just say how IMPORTANT it is for young kids to see a BLACK, MALE-PRESENTING PERSON playing, nae, SHREDDING on a violin? I’ve know maybe 5 black people who played stringed instruments throughout my schooling and teaching (predumably because i’m an upper middle class white woman). In districts where the population is predominantly black, funding is always low, so the instruments are crappy. Kids quit, or the program is dismantled. I’ve seen very few professional string players who are black.

Obviously there are black string players. We just don’t see them because they “don’t look like” string players.

This person is the real deal. They were clearly classically trained, and seems to have some fiddle training as well. How cool is that?

But also… RAD PLAYING MY DUDEEEE

As tall as a large codfish is long.

As tall as a large codfish is long.